Online platforms have disrupted parts of the capitalist economy, with allegedly severe consequences in the world of work. This study examines live music in Germany and the UK, where online platforms do not dominate, despite considerable digitalization of market intermediaries. The analysis shows that, as the degree of digitalization increases, matching services tend to work less as a workers representative which is traditionally the case for live music agents and more as a force of marketization that disciplines workers by orchestrating price-based competition.

It is often assumed that the “platform economy” is in the ascendancy, and is taking over more and more economic sectors. Because of this, much research on the matter has focused on characterising and evaluating this change: what are the relative advantages and disadvantages of this kind of work compared to more “traditional” jobs? Should we be optimistic or pessimistic about it? Hence, most current research has looked at the experience of workers in industries which are already highly “platformised” (such as ride sharing, food delivery, or clickwork).

"The book offers interesting insight into the everyday life of undocumented migrants without portraying them as helpless victims. Ample quotations from the interviews underline their agency and the complex and contradictory conditions they experience in the ethnic enclaves they are forced to rely on. Bloch and McKay shed light on the circumstances, motivations, and conditions of ethnic enclave employers, who, in most of the literature on undocumented migration, are not a subject of research.